Chromehorse

The Top 50 Canadian Singles (Recordings) of All Time

Bill's Highly Disputable List of Top Canadian Popular Songs.   Not quite 50 yet...

No, "Snowbird" does not make the list.

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RankSongArtist
1 Suzanne [1966] Leonard Cohen
1.1 HelplessNeil Young
2 Famous Blue RaincoatLeonard Cohen
4 Early Morning Rain Gordon Lightfoot
4.1 That's What you Get for Lovin' Me Gordon Lightfoot.
5 Cowgirl in the Sand Neil Young
6Echo Beach Martha & the Muffins
7 Lovers in a Dangerous TimeBruce Cockburn.
8Venice is SinkingSpirit of the West
9 Old Man Neil Young
9.5The Weightthe Band
10Both Sides NowJoni Mitchell
11 Heart of Gold Neil Young
12 Barrett's Privateers Stan Rogers
12.5 Superman's Song Crash Test Dummies
12.75 Dream Away Northern Pikes
13 Court and Spark Joni Mitchell
14 Tears of Ragethe Band
14.1 Where Evil GrowsPoppy Family
14.2 American WomanThe Guess Who
15 You Were on my Mind Ian & Sylvia
15.5 Mmm Mmm Mmm Mmm Crash Test Dummies
16 Montreal Blue Rodeo
17 Stage FrightThe Band
19 Born to be WildSteppenwolf
20 First We Take ManhattanLeonard Cohen
21 Down by the RiverNeil Young
22 Hallelujah Leonard Cohen
23 Wake UpArcade Fire
24 ScaredTragically Hip
25 Old ManNeil Young
26 Hey Hey, My MyNeil Young
27 Home for a RestSpirit of the West
28 CarrieJoni Mitchell
29 If I Had a Million DollarsBare Naked Ladies
30 What a Good BoyBare Naked Ladies
31 TokyoBruce Cockburn
32 Universal SoldierBuffy Ste. Marie
33 Tell Me WhyNeil Young
34 Raised on RobberyJoni Mitchell
35 1234Leslie Feist
36 Take This LongingLeonard Cohen
37 Which Way You Goin' BillyPoppy Family
40Sh-Boom [1955] the Crew Cuts
41 Superman's Song Crash Test Dummies
42 Woodstock Joni Mitchell
43 So Long Marianne Leonard Cohen
44 For Free Joni Mitchell
45 A Man Needs a Maid Neil Young
46 Heart Like a Wheel Kate and Anna McGarrigle
47 Scared Tragically Hip
48 Black Day in July Gordon Lightfoot
49 Come Calling Cowboy Junkies
50 Come all Ye Fair and Precious Ladies Rankin Family

 

Absolutely positively never ever going to make my list: K. D. Lang's awful, overwrought delivery of Leonard Cohen's "Hallelujah", the pinnacle of self-serving, claustrophobic, look-at-me-sing-oh-god-I'm-so-humble-I-can't- believe-it-narcissism.  Her rendition robs the lyrics of every ounce of meaning and context and it's a performance calibrated for people with a shallow understanding of "she tied you to her kitchen chair/she broke your thrown and she cut your hair", a vague sense of titillation, and a conviction that the louder, more ostentatious voice, the deeper the meaning.  And that goes double for Rufus Wainwright's whiney, weasily performance.  And shame on "Shrek" for trivilizing the whole thing.

Check John Cale's version for a corrective.

 

 

 

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