Rant of the Week

Dylan in London, Ontario, November 3, 2006

 

I saw Bob Dylan and the Band in 1974 at Maple Leaf Gardens in Toronto.  I was 17 and it was my first major concert.  Our music enrichment class at Beacon Christian High School went, with Lambert Zuidevaart, our music teacher.  I believe we stayed overnight at his friend's apartment.  We visited Kensington Market, ate at a Chinese restaurant, then walked to Maple Leaf Gardens.  That's what I remember.  It was 32 years ago.

I remember vividly the opening chords of the first song: "Most Likely You'll Go Your Way and I go Mine".  The Band may well have been the greatest back-up ensemble Dylan ever played with.   Their performance was incredibly rich, textured, and vibrant.  ("Before the Flood", a double-album of performances from that tour, is worth having.)

Thirty-four years later, my son and I attended a Dylan concert in London, Ontario, at the John Labatt Centre.  Like Maple Leaf Gardens, this is a hockey arena, so the acoustics were not great.  His backup band was good, but not as good as The Band.

In 1972, Dylan and the Band played the complete concert, with the odd Dylan solo on acoustic guitar, and a few songs performed by The Band without Dylan.

The John Labatt Centre is a newer arena, well-furnished and gleaming.  The staff seemed unduly concerned with stopping people from recording the concert with cameras or cell phones.  This was a little baffling: who cares if someone creates a 160x80 grainy mpeg of this performance?  Are they out of their minds?  But the attendants stood guard near our seat, watching intently.  When it looked like someone was using the camera on their cell phone or a real camera, they stepped in and asked the person to stop.  I had to be clever to snap the few shots I did, and they are blurry.

The men sitting in five seats to the right of us seemed to have a dire need to go for beer or to the bathroom about once every song-- that is not much of an exaggeration.  The seats are so close together, I had to stand up to let them pass each time.  It was annoying.  Whey they weren't drinking or peeing, they were yakking away, or making fun of Dylan's incomprehensible voice.

The voice-- unlike old copper or English gardens or Tom Waits-- has not taken on an atom of patina or richness.  If anything,  I think he has become more shrill and spastic, and less coherent, than even in his "Street Legal" or "Saved" days.   If I hadn't already known most of his lyrics by heart I wouldn't have been able to make them out.

Dylan played a keyboard exclusively - he didn't touch a guitar-- and every song featured the entire band.

Dylan's encore was generous: four songs, including two of his most revered: "Like a Rolling Stone" and "All Along the Watchtower".  He sounded better singing these two than almost any other song of the night.

 Dylan apparently is not content to simply perform the same songs over and over again as originally recorded.  Several songs were radically restructured, musically, especially "Desolation Row", "It's All right Ma, I'm Only Bleeding", and "Girl From the North Country".  He performed a generous mix of classics and more recent works. His voice is problematic, but give him credit for investing in his own work, taking risks, and reinventing himself.

All contents © 2006 Bill Van Dyk  All rights reserved.