Inspirational Teacher Movies, Ranked:
The Gems:
The Browning Version (Michael Redgrave)
The Prime of Miss Jean Brodie (Maggie Smith)
To Sir, With Love (Sidney Poitier)
Up the Down Staircase (Sandy Dennis)
Asphalt Jungle
The Stinkers:
Freedom Writers
Les Choristes
Mr. Holland's Opus
Lean on Me
Dead Poet's Society
Stand and Deliver
Dangerous Minds
The Substitute
About Schools:
Ridgemount High
2007-07-14
Just once, I would like to see a movie about a young teacher who doesn't care about his students, can't wait to move on to a better paying job, and doesn't want any students intruding on his private life ever. And, it turns out, is a pretty good teacher. And he has a principal who really tries hard to manage his school well, and retain good staff. And when this teacher wants to take a field trip, his principal says, "of course-- we take field trips all the time."
This scenario is more likely than you think: life is not a Hollywood movie. What makes a good teacher? Dedication is one factor. Loving students is important. But, surprisingly-- to Hollywood-- it helps to be smart. To be competent. To know how to do a good job.
Not going to see that movie. Ever. We have been conditioned by the movies (see list at left) to believe that good teachers care deeply, personally about their students, have all the time in the world for them, evenings, and weekends, and really don't need the slightest academic ability because most of his or her skills will only be applied to "real life" problems, like gang violence and poverty and ... well, not sex anymore-- those "gang members" in "Freedom Writers" seem to be absolutely celibate. Doesn't seem to be any thing in their journals about their boyfriends or girlfriends... They might be getting shot at, but at least nobody's hitting on them... I guess these are unusually spiritual gang members.
Or could it be the Erin Gruell has provided us with a sanitized version of the story? One wonders, of course, what else she has chosen to leave out. She certainly didn't omit even the tiniest fragment of student adulation of her. In the film's most disingenuous scenes, the head of her department, wildly caricatured-- if you believe the movie, she has made it her purpose in life to sabotage good teachers--opposes the demands of her students that she continue to teach them into their junior and senior years. We are given to understand that there isn't a single other worthy teacher in the system, and that it is only right and good that Gruell should never apply her special gifts to the new, equally needy students entering grade 9.
There's not much in the film about how learning really takes place, how students actually learn to write and express themselves, how students acquire self-confidence, how teachers pass on skills and techniques. It's really all about what a lovable, heroic person Ms. Gruell is, and to make her as lovable as possible, the movie leaves out all the little potholes and pitfalls of real life. That's not inspirational: it's delusional.
Did you notice my deception in the first paragraph? I was wrong, of course. There is one movie that actually tells you about a dedicated but rather chilly professor who comes to realize that he has wasted most of his life: "The Browning Version". If you find yourself getting extremely nauseated by "Les Choristes" or "Dangerous Minds" or "Freedom Writers" some Saturday night, go and rent "The Browning Version" (if you can) and take the cure. Even better: rent "The Prime of Miss Jean Brodie" and try to understand how charismatic, visionary teachers may not be a good thing.
Of all of these, aside from "The Browning Version", "To Sir, With Love" is probably the least smarmy, and "Mr. Holland's Opus" is probably the most smarmy and gooey, and "Dead Poet's Society" is the phoniest. Most of these films create a straw man villain to inject some tension into the story-- invariably a principal or Board Member who really, really wants the students to be bored and oppressed.
If you liked most of these movies, I'll bet you've never seen "The Browning Version" or "The Prime of Miss Jean Brodie". You should. You must.
It is a dose of reality, a cold bath of truthfulness and authenticity, in a field of mushy, indeterminate ideals and beliefs. The truth is that any of the teachers in these movies could just as well be Jean Brodie, teaching her little brood the blessing of Fascism, and inspiring them with misguided fervor. The truth is that the high school band in "Mr. Holland's Opus" would never have played that well in real life. The truth is that the poetry in "Dead Poet's Society" didn't express much about the lives of any of the characters in the movie because if it had, the audience would have been as frightened of real poetry as real people are frightened of real poets in real life.
And "Brodie" is the only one of these films to recognize that there is a danger in charismatic teachers. Make it a double feature: "Dead Poets Society" and "The Prime of Miss Jean Brodie". Which film has more truth?
Copyright © 2007 Bill Van Dyk All rights reserved.
The problem with "Freedom Writers"...
I'm sure a lot of the events in the film really happened, even if not quite as depicted in the movie. I'm a former teacher: even good students don't quite prostrate themselves before good teachers the way these kids did. There's always at least one smart ass, or more, and not all students are little angels waiting for an encouraging teacher to see the good in them.
By half way through the movie, I didn't trust anything it was showing me. That doesn't mean I believe all of it was false-- just that the movie clearly set out to "Hollywoodize" the story. I didn't believe the head of the English Department could be that ridiculously obstinate, or that a rival teacher would be so transparently jealous of his "honor students". I really doubt that the real students were as disinterested in sex as these students were, or that all of them would conveniently lose their personalities during the second half of the film so we could all focus on how amazingly grateful they are to Ms. Gruell.
There's a story here, probably a really good one. And if it had been told honestly, it would be an inspiration to us all. You would think, wow, there is hope for mankind. But I can't think that about this film-- it is so rigged.