“Regardless of the commentary about a modest number of tickets costing $1,000 or more, our true average ticket price has been in the mid-$200 range,” he continued. “I believe that in today’s environment, that is a fair price to see someone universally regarded as among the very greatest artists of his generation.” NY Times
I never find it not weird that people will pay astronomical sums to sit squeezed into a sports stadium to see McCartney, the Eagles, Springsteen, the Rolling Stones, and others, mainly for songs they created 40 or 50 years ago (which recent McCartney song did you really want to hear?).
Full disclosure: I recently went to see Bruce Cockburn at the Centre in the Square in Kitchener. But he performed solo, just him and his voice and acoustic guitars, and he didn’t cheat.
Years ago, we paid a wee little amount to see Nellie McKay in Toronto at the legendary El Mocambo. We were right up at the front of the stage, and we got to chat with her afterwards (I still have my autographed CD). She was at the stage of her career where she was producing the songs that people would today be paying $4,000 to hear, had she not opted out of the plastic-ware star-making music machinery because of creative differences with her publisher.
It was a fabulous concert experience, amazing songs, engaging… so much better than sitting in row 9,999 a thousand feet away from the stage to watch someone who, to be generous, is somewhat past his prime. Sometimes, as with the Beach Boys, the REAL keyboard player is in the shadows behind the drummer. Sometimes the real drummer is behind the drummer. Very often, the performance is autotuned, “live”. Very, very often additional instrumentation has been pre-recorded and added in– even vocals.
At least I rather expect that Springsteen won’t be autotuned. But then again, the logic seems to be “if everyone else is doing it” (and they are)…
If you like live concert experiences, I heartily recommend looking for an up-and-coming performer playing smaller, intimate venues.