Abba Babble

Get this– from the Toronto Star, April 2, 2000:

Buried in their songs is a complex artfulness disguised in simple pop formulas, a carefully crafted infectiousness that resonates in the group’s shimmering four-part harmonies, crisp, Scandinavian enunciation, and deceptively easy rhythms. These songs, these performances, are the work of pop music geniuses. They reel us in every time we hear them.”

And one day we will all come to believe that Gilligan’s Island is really an existential drama about the dread with which modern man faces technological domination.

Their names are Bjorn Ulvaeus, Anni-Frid Lyngstad (the red-head), Benny Andersson, Agnetha Faltskog (the blonde). Anni-Frid, Bjorn, Benny, Agnetha: Abba.

Faltskog no longer has anything to do with music. Lyngstad is into environmental causes. Benny plays accordion in some obscure folk band somewhere in Sweden. Bjorn is promoting a musical, “Mama Mia” based on Abba songs.

The most disgusting aspect of this revisionism is the pompous self-importance it allows small-time talents like Bjorn Ulvaeus.

You know, I could have sort of liked Abba a little, if I hadn’t read this drivel.

 

“Serious music critics now rank Ulvaeus and Andersson’s songs with those of the Beatles and the Beach Boys’ Brian Wilson, and their musical weight in European culture alongside Grieg and Sibelius.”

Exactly which serious musical critic?  Let me assure you, serious music critics do not rate Abba with the Beatles or the Beach Boys or even, probably, with Bobby Sherman.  Well, okay: with Bobby Sherman.

What is this? Some kind of neo-con aesthetic putsch? You have to believe that only an idiot who is unaware of the Beatles’ career beyond 1965 could make such a statement. The kind of idiot who never listened to Revolver, Rubber Soul, Sergeant Pepper’s, White Album, Let it Be, and Abbey Road. As for the Beach Boys, well, yeah, lyrically there’s not much to choose from, but please name me a single Abba song that, in terms of musical imagination, could be uttered in the same breath as “Good Vibrations”.

Exactly which Abba song can be compared to “A Day in the Life”, “Eleanor Rigby”, “Norwegian Wood”, “Penny Lane”, or “Fool on the Hill”?

You want to know something else? The girls were never all that good-looking either.

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