Little Richard’s Revisionism

Suppose a notorious prostitute gave up her profession, joined a church, went to seminary, became a preacher, established a church, built up it’s membership so that it was able to build a lovely new sanctuary, and then retired.  And suppose that after her retirement, a large group of former customers decided to give her an award for being the best prostitute in the business.

She would refuse, right?  She would prefer that people not even know about her past, but if they did, she would certainly renounce it.  She would publicly return all the money she earned from prostitution to a charity for unwed mothers (or something).

Suppose it was discovered that she financed her new church sanctuary with money she had earned as a prostitute?

Suppose that hundreds of young women read books and articles about her early career and announced that they wanted more than anything to become great prostitutes.

Yes, a very weird story, isn’t it?  It is the story of Little Richard.  Yes it is.

Let me make absolutely career: Little Richard’s rock’n’roll career was not in any manner really prostitution or like prostitution.  I am saying that Little Richard himself, by his own standards as a Christian preacher, came to regard it as such.  Insofar as it goes…

Little Richard was perhaps the greatest genius of the early rock’n’roll era.  If you have never seen a good video of one of his early performances– and I don’t mean just a clip– you must see it.  He is utterly remarkable.  Here’s another.   And another.  He was a whirling dervish of dance and vocals and whoops and hollers and piano, and absolutely mesmerizing.  He excited people so much they sometimes broke into a riot.

Watch Paul McCartney sing for the Beatles in the early years.  You are watching Little Richard.  Watch Mick Jagger, Elvis, David Bowie, Prince, Madonna– all owe an enormous debt to the original, Little Richard.  Even Bob Dylan, someone you would not immediately think of as influenced by Little Richard, listed, in his high school year book, the ambition of joining Little Richard’s band.

And then Little Richard got religion.

Little Richard, who had been brought up in the church, of course, always believed in scripture, in Jesus, in the Ten Commandments and the Holy Spirit, but he didn’t care at first.  He was flamboyant, charismatic, and absolutely homosexual.  He lived the way he wanted.  But in the early 1960’s, he embraced the religion of his upbringing and repudiated rock’n’roll.  He refused to sing any of his hits.  He sang gospel tunes, spirituals.  Sometimes he would spice them up with a performance that suggested if not replicated his early career, but mostly he stood on stage in a suit and sang into a microphone while barely moving his body.

He says he gave up homosexual relationships.  I’m not sure I believe him.  He was still surrounded by gay men at times.  It’s very hard to tell because Little Richard was not known for his honesty or candor when it came to his personal history.

The point is, Little Richard believed that his early career was a sinful expression of a sinful lifestyle– like the prostitute in my fable above.  He begged God to forgive him.  He tried to go straight and reform.

But…

As the documentary, “Little Richard: I am Everything” makes clear, unlike the prostitute of my fable, he wants it both ways.  He demands recognition for the very things he repudiated in his later life.  He demands honors and money for behaviors he now condemns, in his earlier self, and, by implication if not directly, in others.

He complains bitterly about not being paid for his sinful expressions.

I found the last half hour of the documentary a bit offensive because of that.  That, and the the rather clumsy attempt to blame everything that was denied to Little Richard on homophobia, as if the Beatles, and Elvis, and Tom Petty, and Joni Mitchell, and everyone else go their due, except for poor old gay, black Little Richard.  It’s simply not true.  Little Richard did not get compensated fairly for his work because the music industry systematically rips off every young artist whatever their color, religion, or sexual orientation.

Do you think there’s a whole lot of straight male artists out there who were paid fairly and who feel that the industry treated them well?  Or contemporary female country artists?

Leonard Cohen, incidentally, did the smart thing and retained control of his publishing rights… until his agent talked him into selling the entire catalogue to Sony Music and then pilfered the money forcing him to resume touring again.

More on the Music Industry

And on Excessive Demands from Copyright Owners

On How the Music Industry Brilliantly Extended Ripping off the Artist into the Napster Era

On Ani Di Franco’s lovely resistance.

On the unfortunate delusion embraced by Little Richard’s that authentic sexuality is in conflict with his religious faith and Jesus would never love him as the gay man that he is and always will be.

The Gerontocracy

Obviously, most voters don’t want an incapacitated leader to remain in office. But in a district or state in which one party will always prevail because it has an unassailable majority, voters don’t get to choose. A minority– a tiny minority– of party officials and managers ensure that the incumbent stays as long as he likes, because they benefit from his patronage and influence. Kentucky won’t vote out Mitch McConnell and California won’t vote out Diane Feinstein because their parties have solid majorities among the voters. Their parties won’t remove them because of deeply embedded patronage. They won’t remove themselves because of deeply embedded egos (when Biden said he would only run for one term, I laughed). And the Senate won’t vote for term limits on themselves for obvious reasons. The Supreme Court?

The U.S. is ruled by a gerontocracy. Not much choice about that but it would be less distasteful if these people would at least stop insisting that some kind of invisible popular will actually wants them to stay in office no matter how old.

If, in some fantastical sequence of events, Ramaswamy ends up the nominee and has a debate with Biden, I’ll tune in. It would be wonderfully weird.

I also note that neither party is in a good position to argue that their opponents are too old. Maybe they could at least stop insisting that they are going to “clean up” Washington.

Sports Oppression

The essential dynamic of most national sports teams is this: there is an administrative infrastructure of privileged coaches and managers and administrators who have the power to decide who plays and who doesn’t and why and when, and then there is the talent who actually achieves (or not) the desired results and provides the real “value” of sport: the entertainment of watching a competition.

When Canada decided to play Christine Sinclair and America decided to play Megan Rapinoe at the 2023 World Cup, it was the administrative side in action, deciding that certain players were “owed” the right to take the field in critical games even if their talents have largely faded and there were better players on the bench.  Look at the best players on the winning teams:  they are invariably young.

When Spanish players protested the ridiculous regimen coach Jorge Vilda imposed on the team during training (checking their rooms at night to see if they were there, searching bags for purchases, taking the bus instead of a plane to matches), management refused to hear them and demanded that they apologize before they could be considered for the national team.  Think about it: we do not play, we do not have the skills, we do not train, we do not diet, we do not sweat, but how dare you question our decisions of what you must do.  It’s obscene.  Bend your knee.

And then there was the kiss.   I note that most news outlets conspicuously did not broadcast the video of the horrible, shocking, terrible, disgusting, misogynistic, patriarchal buss.  I think it’s obvious why.  It was incredibly brief, and we see Jenni Hermosa embrace Rubiales as part of the transaction.  That doesn’t alter the fact that it was inappropriate and unwanted, but the context makes it less clear that this was some kind of monstrous gesture that must be punished with dismissal.

The Inevitable Double Standard!

I am not exaggerating.  But I have to stop a minute and insist here loudly that there is a monumental effect going on in which everyone must be swept up into and compelled to join the stampede and denounce the incident as a terrible act of sexual aggression.  It is not that.  It is trivial.  It is incredibly transient.  It is a stray impulse, a clumsy gesture.  It does not deserve the attention it is getting and I refuse to kowtow to the hoards on it.  And I am getting more and more disgusted by the movement behind it by the minute.

Many are calling it a “sexual assault”.  Oh, that’s smart: the next time someone hears the term “sexual assault” they will think it might refer to a kiss that lasted less than a second.   Or it could be rape.  Or forced sodomy.  Who knows?  It’s all sexual assault.

And now, it has ridiculously, absurdly, comically made the FRONT PAGE of the NEW YORK TIMES.  Yes, it has.  A fucking kiss that lasted less than one second.

Jenni Hermosa has released a statement.  I cannot confirm it but I would be willing to bet a pocketful of change that it was written by a feminist probably connected with the player’s union, and not by Hermosa.

A video has surfaced of the women’s team on the bus after the game making light of the incident, joking about it, shouting “kiss, kiss” when another man enters the bus, and looking at video of a female journalist kissing a member of the Spanish men’s team after a victory a few years ago.

There was a time when some anti-communists cited concerns about Santa Claus being a pernicious red influence on our children.  They should have stuck to Stalin.  The Santa Claus reference is remembered for ever as an exemplar of an overwrought movement that lost it’s mind getting hysterical about imagined insidious elements everywhere.  The feminists should learn from them and stick to real sexual violence.

It has become about something else.  It has become something Megan Rapinoe can seize upon as evidence of how horrible her life is because she is bullied and oppressed by the patriarchy even though by any objective standard Rapinoe lives an incredibly privileged life and even gets invited to play in a critical game when she is well past her prime (check out her performances at the 2023 World Cup: she was distinctly terrible– she couldn’t even lift corners into the box.)  To witness Rapinoe trying to leverage this incident into just how much she personally has suffered is more than obscene.

The kiss has become the Trump of the World Cup: sucking all the oxygen out of the room when it should be better spent on describing how remarkably exciting and beautiful the games were: the final games of the tournament were simply outstanding: thrilling passing, great shots, passionate defense, and compelling narratives.  You idiots– yes, I mean it– are obsessing over a trivial incident that is robbing the tournament of distinctive achievements.  You make this trivial gesture a monumental issue and then complain that it is Rubiales who distracted everyone from your glorious championship.

If the argument is that the entire regimen, the control and power exercised by the administrative parasites who plague all major sports should be deposed, the Royal Spanish Football Federation, I am enthusiastically on side.  Let’s dismantle it.  Fuck the coaches and managers: give the power to the players.  Let them elect the coaches and managers, or dismiss them, as is their wont; let’s please, please, please dump the vast array of parasitical support staff that accompany athletes to tournaments, get the best seats, stay at the best hotels, take away their medals if they smoked marijuana, and are never really kissed by anybody.

National Review’s writer Charles C. W. Cooke claimed that the women’s game is substandard.  As he recently put it, “It’s not good sports.” The final had exactly what he accused the women’s game of lacking: a fascinating clash of tactics played with speed and mesmeric flow, tense and fierce.  Atlantic

I hope activists fuck off with their hysteria about a kiss and take on the real enemy, the structure of international sports organizations, the fascistic culture of FIFA and the International Olympics Committee, the parasitical coaches who are as often as not women, and the flag-waving rabble of rabid nationalists who only care about a sport if their team wins the medals.

But they won’t.  Rubiales will resign and most of the world will breathe a sign of relief and act as if the crisis is over and the real powers of Spanish Football will remain untouched and unharmed and will all be sitting in the best box seats again at the next tournament.  You fools.  You have been gaslighted again.  And you will be again and again and again.


Incidentally, I have been unable to determine if the short video of “the kiss” that I found online is sourced from ESPN, FIFA, or what.  I don’t know if the medal ceremonies are as protected as the game itself.  Maybe it is.  Either way, one wonders how much taxpayers contribute to the costs of training, transportation, game facilities, and so on, and then, why the hell should they be denied the right to see video of the games, at least after the live broadcast?  I have not seen CBS, PBS, NBC, the New York Times, or anyone else post video of the kiss or of any part of the game.

Just how many parasites are there?

May be an image of 3 people, people playing soccer and people playing football

When the Beatles dropped by to see Elvis in the mid 1960’s, they were astonished that he had about 11 assistants living with him to take care of his every whim and need.  The Beatles at the time had 3 for all of them.

Elvis was a shallow, credulous, fat, drug-addled pop star by then.  The Beatles went on to create some of the most remarkable music of the 1960’s.

No coincidence.

Not so Swift

Taylor Swift recently posted a modest, tasteful, but firm tirade about the monsters in the investment industry who purchased her back-catalogue from  another monster, Scooter Braun.

I haven’t been able to locate much real information about this deal through Google but I am pretty sure what happened was this: Taylor Swift, early in her career, was offered a typical music industry contract that offered her fame and riches in exchange for, oh, don’t read the fine print, just sign…. here.  Thank you.  As the years went by, she, like the Beatles, and Tom Petty, and just about every other musical artist, discovered, to her astonishment, that she had signed away the rights to “her own” masters and the actual mechanical recordings of her albums.

I put “her own” in quotation marks because Swift is obviously a product of the machinery of super-stardom, the system that creates, manipulates, and manufactures celebrities who do something “act”, “sing”, shoot baskets, and then get promoted to death through social media, talk shows, magazines, and so on.  Those albums are certainly partly hers, and substantially the product of her “artistic” vision, but they are also certainly partly the product of the “star-maker machinery” (as Joni Mitchell termed it).  This is not Bob Dylan walking into the studio and the engineer pressing “record” and putting the result on vinyl.

Swift wrote three of the album’s songs alone and co-wrote the remaining eight with Rose, Robert Ellis Orrall, Brian Maher, and Angelo Petraglia.  Wiki

She was signed to Big Machine Records by Scott Borchetta and here’s where the original sin probably happened.  Here is where her contract probably specified that BMR owned the master recordings.  Here is the deal with the devil: BMR invested in Taylor Swift, bought studio time, paid expenses for engineers and back-up musicians, make-up artists, fashion designers– who knows– and, in return, took ownership of the masters.  [BMR would argue that that is only fair– look at how much they invested.  They would argue that they made Taylor Swift.  I would argue that it’s still exploitive and unfair and if they can’t live with an agreement that requires them to defer ownership of master recordings to the artist, then tough– go screw somebody else.]

Enter Scooter Braun.  He arranged the deal.  He had his entity purchase Borchetta’s entity (and Borchetta may be the more appropriate target of Swift’s fury) and thus ownership of the masters.  It’s a common deal in the industry and Swift, to be fair, does point that out.  Fair enough.  And fair enough that a young artist in the process of being signed is vulnerable to exploitation and the exploitation here is in persuading them to sign contracts that, if they are successful, benefit the agents and managers far more than the artist.

She discovered that Scooter Braun was a businessman, not an aesthete.  Braun got into the business by — I’m not making this up– organizing parties for touring musicians Eminem and Ludacris.

Taylor Swift examined his cv and decided, yes, that’s who I want managing my career.  Well, not exactly.  But Braun,  like so many of the unseemly people who work in the entertainment business, quickly grasped how to leverage himself into bigger and bigger roles within the industry.  He got Ludacris to endorse Pontiac.  Yes, the car company owned by GM.  Then he helped the Atlanta Hawks squeeze more revenue out of their fans.  And then he saw Justin Bieber on a Youtube video and he was off to the races.

The point is, Braun is a kind of the madame of an entertainment brothel and it does strike me as a little disingenuous of Taylor Swift to suddenly jump up and scream about who she is working for.

Braun, it is reported, made over $400 million by selling Swift’s catalogue to Shamrock.

In 2022, Braun met with Joe Biden in the White House to discuss the rise in hate crimes against Asians.

And this is delightful:

In 2018, Braun was honored with the Music Biz 2018 Harry Chapin Memorial Humanitarian Award for his philanthropic efforts in 2017.[67] He also received the Save the Children’s Humanitarian Award that year.  Wiki

You get the complete picture.  You’ve seen this character over and over in movies about the industry, the hustler, the glib manager, the guy who snorts cocaine with hip rich party-goers, makes the right noises about the environment and justice and Democratic politics, donates to the right causes, attends or hosts the right fund-raisers.  He’s a walking cliche.

He donated to Hilary Clinton and Kamala Harris.

He married a Canadian, Yael Cohen, founder of “Fuck Cancer”, in 2014.  Alas: divorced in 2022.

Taylor Swift is also known for her liberal politics.  It’s a bit odd to see this clash play out this way.

She is right to be outraged.  Not so right to blame it all on sexism.  Seriously?  She thinks the men in her industry don’t have this problem?  She thinks that it’s only the men who perpetuate this arrangement?  You think Tom Petty was given a pass because he was male?

Here is my response on Facebook:

I really doubt that male artists in the same predicament are not just as supportive as female artists– it doesn’t need to be made into an issue of sexism, even if that plays well with a certain segment of fandom. I also suspect that Swift signed a contract that gave control of her master recordings to these entities, something young artists find it hard to resist when a prospective glittering career is on the line. But I agree with her 100% that these deals are exploitive and unfair and I have long believed that Congress should regulate such contracts to protect young artists from signing away rights that should absolutely belong to them as artists in perpetuity. I also think a law should prohibit industry producers, arrangers, managers, recording engineers, etc., from claiming co-writing credits for songs on which their contributions were marginal at best. Bravo to Swift for standing up to the creeps.

So, yes, I generally support her, but I almost wanted to rescind my support when I realized that she– probably knowingly– decided to try to exploit the wave of feminist support by blaming institutional exploitive arrangement on men.

One last thing, Ms. Swift.   I’m glad to see you on your high horse about principles and integrity and honesty and truth and justice and all that.  May I bring up a little item you can do something about?

Autotune.

Perhaps someday we might hear you perform songs from your glorious catalogue in your real honest voice.

One critic says:

Though some of her loyal fans will never admit it, we all know deep in our hearts Taylor is an average singer at best. Taylor Swift is flawed, clumsy, and in many ways, uncool. She’s a flat-chested, pencil-thin, pale and awkward little girl with perpetual neurotic love drama brought on by self-esteem issues.

 

 

The First Republican Debate

Just some  off-the-cuff notes:

  1.  Vivek Ramaswamy is a shrill twerp. But he’ll do well with the young segment of the Republican base who really believe the federal government can improve education by abolishing the education department. I like the fact that he thinks his first job in government should be as president. Like Reagan, on his first day on the job he’ll ask where the “War Room” is because he watched “Dr. Strangelove” once.
  2. Pence did better than I thought he would– but it won’t help him because he torpedoed Trump on January 6 and the MAGA base will never forgive him.
  3. Haley is aiming for the general election. She was rational, thoughtful, smart, and astute. Doomed in the primaries, but, curiously, not setting herself up for VP as I thought she would.
  4. Christie fell flat because Trump, his main target, wasn’t there, and attacking Ramaswamy puts him in “shoot the messenger” territory. He didn’t charm or even amuse anybody.
  5.  Asa Hutchinson and Doug Burgum might as well pack up and go home.
  6.  DeSantis shut down Florida just like everyone else did at the start of the pandemic. Forget that, please. Those in the audience with short memories cheered his claim that he never did. He was probably the most brazen liar in the bunch. His abrasive style didn’t fool anybody: he’s also a nerd.
  7.  Republicans are counting on voters to not know– as they surely do– that the vast proportion of illegal drugs come right through the ports of entry in many of the millions of vehicles that cross every day, and not in the pockets of illegal migrants.
  8.  The idea of “defunding the police” has never had traction within the Democratic party but the Republican base loves to think it has.
  9.  It is absolutely stunning to me that Mike Pence, of all people, has abandoned a position on abortion he has always declared to be inviolate and now advocates a 15-week limit. Absolutely stunning, and that tells you how worried Republicans are about that issue in the upcoming election. His problem is that the state legislatures aren’t listening to him. It also reflects poorly on his sincerity as the most forward Christian in the group.
  10.  I keep reading that Tim Scott is supposed to be the sunshine candidate in this group. He was the one that sounded like ChatGPT mindlessly trotting out those stale Republican tropes about “weaponization of the Justice Department”, blah, blah, blah. I think he blew his one chance to make himself stand out.
  11.  Where was “woke”? Where was CRT? LGBQ issues? Nobody picked up DeSantis’ favorite whipping boys. Worried about the general election, gentlemen? Not much about Hunter Biden either.
  12.  Haley did Biden a favor with her very forthright endorsement of U.S. support for Zelensky and Ukraine.

I’m puzzled about where this is all heading. Trump’s lead is kind of insurmountable so conventional wisdom is that most of these candidates are lobbying for the now vacant VP nomination. Ramaswamy is going to be too toxic. Hutchinson and Burgum bring nothing to the table. Pence and Christie are obviously right out. Haley would seem well-positioned as long as she is careful about what she says about Trump. She’s a woman, a minority, and she has some appeal to independent voters and soft Democrats. Tim Scott is in the right position– sucking up to Trump enthusiastically– and he is more in the Pence mode which Trump might prefer to the sometimes electrifying Haley. Trump will not have anything to do with a candidate that might upstage him.

How does it all end? Ramaswamy picks up support in Iowa, as does Haley. Hutchinson and Burgum go home. Christie runs out of money. Pence and Scott hang in there for the first few primaries then drop out. DeSantis slowly, painfully, mercilessly fades out as primary voters discover that they just don’t like him very much. Then, if Trump really is as smart as his fans think he is, he makes Nikki Haley his running mate and she starts quietly laying the groundwork for a run in 2028. If Biden stays reasonably healthy and inflation continues to drop, Trump loses the election; Haley is president in 2028.

I’d lay equal money on Trump signing up Scott as his running mate. I don’t think that will play well and I doubt the two would have the slightest genuine rapport.

Dune – Just Another Fascist Sci-Fi Pornographic Fantasy?

By “pornographic”, incidentally, I don’t mean sexually pornographic.  I mean in the sense of distilling an artistic entity into it’s most obvious, banal, and debasing parts.  I mean it in the same way that I would tell you that Disney is mostly pornographic: it is film that caters to banal fantasies and fetishes about heroism and suffering.

I have never read “Dune”.  I tried but it bored me, very quickly.  I generally despise banal fantasies.  I might try again some day– certain people keep telling me it’s great– , but for now I’m going to build a personal synopsis using online resources.  Yes, I know: that is inadequate.  But before I commit to reading 900 pages of dreck, I want to know if there is anything worthwhile in there.  I’m getting old.  I don’t have that much time left to waste.

Synopsis of Dune:

First of all, we have an Emperor.  Are science fiction writers congenitally incapable of imagining a universe without a royal family?  (Well, P. K. Dick did, in “Blade Runner”).  And if we have a royal family, we have a princess, in this case, Timothee Chalamet, (because I guess Leonardo Di Caprio and Andrew McCarthy and the princesses are getting too big now).

So we have House Atreides headed by Leto and the emperor Padishah. Emperor Shaddam IV orders Leto to rule the planet Arrakis (which is the putative Dune of the title).    Arrakis is where you get LSD.

Leto has a concubine, a witch, with magical powers, like Peter Pan, Lady Jessica, who is an “acolyte” of the Bene Gesserit, a very, very mysterious group.  So mysterious, we can’t tell you anything about it.  Just wallow in the mystery, okay?

Oh, there’s too many characters, none of whom sound interesting yet.  Lady Jessica bears Leto a son, Paul, who is so obviously a Christ figure that Frank Herbert can count on most reviewers not mentioning it for fear of appearing crass.  Paul passes a test with higher marks than anyone else ever– he’s just so special.  After all, he’s a princess.  That’s why we have Timothy Chalamet.  And less interesting now, because we know that this sequence is merely a device to keep us from thinking Paul wants to be the chosen one.  The chosen one never wants to be the chosen one.  He is always dragged, reluctantly, kicking and screaming, to his DESTINY.  The same way princesses are always compelled to wear glorious dresses and jewelry and accept the worship of the masses of people who think that princesses should be worshipped.

So they move to Arrakeen– Leto, Jessica, Paul, and the indentured servants.  Arrakeen is a “stronghold”– nice — on Arrakis.

And we have the bad guys, the Harkonnens.   And the perfidious Suk doctor Wellington, who has mixed motives, and thus becomes more interesting than he was, but still, he BETRAYS our hero, Leto, and brings suffering to the real hero, the Christ figure, Paul.

The name… Paul?  Seriously?

And what makes Paul utterly dull and lifeless: he acquires magical powers of by drinking the “Waters of Life” which are supposed to poison males (here we get all the suffering again, to prove that Paul is no greedy little parvenu, but a suffering, selfless, honest-to-god hero.  Here the reader feels good about himself.  He goes to sleep fantasizing he is Paul, and everyone loves him because he suffered for his power– he didn’t take it because he was a fucking, greedy little arrogant twerp, which is probably the truth.  It is almost always the truth.  Show me a ruler who actually sat back and waited for authority and power to be thrust upon him?

If you believe Hollywood movies, heroism is bestowed upon humble reluctant protagonists by accident or fate or whatever– anything except personal ego and ambition.  Just the opposite, in fact, of Shakespeare.

So Paul is now dull: he prevails, when he prevails, not because he tries harder or is witty or clever or well-educated or has learned to lead– no, no, no– he has magic.  It’s way easier and saves the novelist years of work.  And now he really is the “messiah”, the Kwisatz Haderach, the fruit of the long-term Bene Gesserit breeding program.

Doesn’t that all just sound fascinating to you?  No, not me either.  We already have a bible, and Greek myths, and Star Wars (God spare us the ultimate mediocrity in sci-fi).   We already have a film version of “Dune” by David Lynch that was so bad that he disowned it.   And I suspect he disowned it not because the studio destroyed his film, as he insisted, but because he couldn’t believe how bad his own work was.  The studio didn’t invent Sting’s costume, or Kyle MacLachlan’s incomprehensibly British accent or the voice-over of every character.

Why Dune?  What is supposedly so original or powerful about it?  Villeneuve made “Blade Runner 2049″ and “Arrival” both of which were, frankly, dumb.   What can he do with the “Dune” franchise?  (“Incendies“, on the other hand, was fine.)

Helen MacDonald interviewed director Villeneuve for the Times.  I generally want to trust my sources here but she says this, as she is about to interview Villeneuve by Zoom:

When I held up my “Star Wars” mug to demonstrate my sci-fi credentials, his eyebrows rose high over his half-rim glasses, and he grinned.

Seriously?

You are trying to tell me that “Dune” is profound and complex and smart and original and brilliant, and yet you are a fan of the dumbest science fiction franchise in the known universe?

And you tell me Villeneuve “grinned” when you said that?

Let’s see if she can rebuild her credibility.   No, she can’t.  “Star Wars” was purposely conceived of as a “B” franchise, a dumb, childish, unsophisticated story of princesses and cute robots and lasers and space ships and rogues and almost nothing genuinely interesting about man or science or space.   It is worse than uninteresting: it actually saps genuine curiosity and wonder from the viewer’s brain.

Helen MacDonald, author of the wonderful “H is for Hawk”,  is clearly a fan-girl or maybe she’s hoping Villeneuve will take on one of her own books in the future: she is a major suck-up.  She writes, “Timothée Chalamet described him as ‘one of the most beautiful souls.’ ”  She blathers about how nice he was to her on the Zoom call.

Give it a rest, mom.

 

 

 

 

 

A Bill Jamesian Analysis of Voter Suppression

This fascinating article in the New York Times gives a surprisingly anodyne perspective on voter suppression efforts by Republican (and some Democrat) State Legislatures.

The key takeaway is that, for all the fuss, most of the Republican efforts to reduce voter turnout among perceived Democratic constituencies have little overall effect on the outcome.

Why?  Partly because many of the legislative changes don’t work.  Voters continue to turn out, even if voting times and locations are reduced, and voter id is required.  Partly because some of the policies also impact Republican voters.  Partly because the numbers involved are actually quite small.

In baseball, many fans have the impression that the 50-home run hitting first baseman is irreplaceable, because they don’t take into account the fact that his replacement will also hit a lot of home runs.  You don’t lose 50– you lose maybe 10, maybe 15.  And the intentional walk– yes, you reduced the chances of a good-hitter driving in a run, but you also increase the chance that that hitter who is now a baserunner will also score.   It’s a wash and now most astute baseball commentators and managers recognize it.

So take the actual number of voters who don’t turn out and subtract the number of them who vote for the other party and then calculate that as a percentage of the total number of voters– and you have a marginal effect.

I admit, I was a bit surprised.  What do critics of this analysis say?  They don’t say it’s wrong.  They say that the principle of voting rights is more important than the actual effect, and I agree with that.

 

What Normal Americans Think

In an interview, Mr. Schmidt said his goal was to show Dr. Journey “what normal Americans think.”

A student at the University of Chicago named Daniel Schmidt found out that there was a course being offered called “The Problem of Whiteness”.  The course was described as an exploration of how the racial category of “white” has evolved over time.

Students explore how white people are treated as the norm, affecting, among other things, wealth and political power.

Dr. Journey’s syllabus included readings like, “How Did Jews Become White Folks?” by Karen Brodkin and “The Souls of White Folk,” a lesser-known essay by W.E.B. Du Bois.

Sounds pretty harmless to me.  I’m not sure I would have agreed with Dr. Journey’s perspective, but I would certainly have attended the course before criticizing it.  If she’s into tagging “white privilege” at every opportunity, I won’t be a fan.  If she believes the U.S. is fundamentally founded on racists beliefs, I don’t believe you can really dispute it.  Nor can you dispute the evidence of, yes, “systemic racism” in the U.S.

But let’s play devil’s advocate for a moment and suppose that there was something in this course that you disagreed with.  Say you think that it doesn’t give enough credit to the achievements of white civilizations like Sweden and Finland and Scarborough.  Or the ineluctable charms of tap-dancing.  Or why “Gone With the Wind” is the greatest film ever made.  At the University of Chicago, you are free to disagree— assertively so.

Even Mr. Schmidt admits that the University of Chicago has an admirable policy on free speech.  If Anne Coulter wants to come and perform some witchcraft and spew her toxic white nationalism– let her.  If Noam Chomsky wants to come and spew his toxic progressivism– let him.  I’m being sardonic here, but I vehemently agree with the policy.  Nobody should ever ban Anne Coulter from speaking anywhere.  Nobody should ever invite her either, but, if you really want to, go ahead.  Her character and vitriol speaks for itself.  Does she speak for you?  Own it.

But Mr. Schmidt, like so many of his ilk, didn’t choose to simply exercise his freedom to disagree.  He didn’t even take the fucking course to find out what was actually in it and what the professor, Rebecca Journey, had to say about white culture.  I repeat– like so many of his ilk.  What he did was tweet ignorant comments along with Ms.  Journey’s email address and photo obviously intending that she would be harassed.  Not debated.  Not disputed.  Not argued with: simply harassed.  That’s the way assholes like Schmidt and his party do it.  And it worked, exactly as he hoped: hundreds of his “followers”– his sheep– sent her harassing messages, letters, and emails.

I would invite Ms. Journey to have thicker skin.  She postponed the course.  She should not have, and the University, which did back her up, should have taken modest if necessary steps to ensure that she was safe from any idiots out there who regarded Mr. Schmidt as something other than a moron.  But she should perhaps accept that some hate mail — in today’s culture– is the inevitable byproduct of political polarization right now and the worst thing one can do is let them win.

Does she really want Schmidt to crow in triumph that he stopped the woke mob in its tracks?

 

 

 

 

Queen’s Bohemian Bailout

I saw a Youtube video entitled “Queen: Bohemian Rhapsody 1981 Live Video” and was ready to be impressed.

I despise the song, of course.  It is the junk food of pop music, full of sugar and corn starch and whipped cream, signifying nothing more than some sophomoric masochistic self-pitying kitsch.  But everybody knows about the monumental effort made recording it, multi-tracked harmonies, bombastic background vocals, and so on.  Freddie Mercury has a great voice, I will admit, but the recorded song is the product of studio tricks and engineer pimps and not that of a genuine musical sensibility.

So, I have an open mind.  Maybe they actually performed it creditably live.  That would be something to hear.  And I wouldn’t expect it to sound like the studio recording.  I just thought it might be an interesting, authentic rendition, and  I should give Mercury the opportunity to prove that he really does have some artistic credibility.

And of course I was disappointed.  Mercury starts out playing piano and singing, the rest of the band joins in, and then he abandons the stage and the studio recording is played.   Yes, the studio recording.  Thousands of people just paid $100 or more each to hear Freddie play a CD.  And watch him wiggle his ass on stage for a moment or two, before returning to the piano and taking over again for “nothing really matters” and the coda.  Brian May appears to actually play lead guitar through this segment.

What is this crap?  Seriously?  What a shame-faced contemptible act of artistic cowardice.

There were options.  He could have assembled a group of back-up singers.  He could have arranged it for solo piano or guitar.  He could have exercised some genuine artistic creativity and come up with variations, innovations, an accordion solo, kazoos, anything but this absurd disappointment.

But then, anyone who is a fan of this song won’t care.

 

“I Don’t Give a Fuck if You’re Innocent: The Perverse Judicial Philosophy of Supreme Court Justice Clarence Thomas”

A man is convicted of rape and murder of a child.  He is sentenced to death.  He appeals and appeals, and the execution is delayed.  He ends up sitting in prison for 30 years.

But he has always maintained his innocence.  Many people believe him.  After considerable efforts by outside groups, his case is re-examined by the same District Attorney’s office that convicted him and they discover that the evidence used to convict him was false, was presented to the jury inaccurately, and that in all probability he did not commit the crime.   They find that he had a remarkably incompetent lawyer and they assert that a reasonably competent attorney could, with some assurance, have persuaded a jury of their client’s innocence.

The key evidence against him consisted of an “expert’s” conclusion that internal injuries suffered by the child could only have occurred during a window of opportunity when the man had exclusive custody of the child and, presumably, may have been caused by rape.  A reexamination of that evidence by competent experts concluded, with certainty, that the injuries had, in fact, occurred before that window of opportunity.  The other charges against him all depended on that original medical evidence.

The man was innocent though it was believed he should have sought medical care for the child sooner than he did.

Quiz question:  would the legal system in the United States then do the right thing and release the man, and expunge his record?

I bet you think so.  I bet any decent, rational human being would think so.  But you are not Clarence Thomas.  Here is Clarence Thomas’ judgement:

Justice Clarence Thomas, writing for the majority, said that a federal court considering a habeas corpus petition, or a petition challenging the validity of a prisoner’s conviction or sentence, “may not conduct an evidentiary hearing or otherwise consider evidence beyond the state-court record based on ineffective assistance of state post-conviction counsel.”

In other words, nah nah nah nah.  In other words, we don’t give a damn if he’s innocent: lock him up.  This is a Supreme Court Justice speaking.  He has god-like powers of the judicial system in the United States.  He openly declared that even if a man can be proven innocent, once a court has found him guilty, he stays guilty.

We made a huge mistake, a massive judicial error, but because you didn’t catch us, you have to die.  (Barry Jones was sentenced to death: I’m not sure why it was not carried out.)

“The idea that Mr. Jones had committed the fatal injury — the evidence was no longer there,” she concluded, adding, “The original theory of the state was flawed.”  Laura Conover

Laura Conover is the country attorney for Pima County which prosecuted the original case in 1995.  It is quite unusual for officials in the same office that prosecuted an innocent man to man up and admit they made a mistake.  It is rare.  Bravo for Laura Conover.  One wishes she was on the Supreme Court instead of Clarence fucking Thomas.

Thomas isn’t alone on this: the other five Republican appointees think it’s perfectly swell to not want to hear anything that contradicts a guilty conviction once the sucker has been convicted.   This is a legal system that knowingly denies poor litigants adequate counsel.  Public Defenders, as every knows, are almost all overwhelmed with the volume of cases they handle, which is also why so many plea deals are made.  This is why many, many innocent people plead guilty to reduced charges– because they know that their chances of being convicted no matter what the evidence is very high.

I use the word “fuck” in my title because this attitude by fucking Clarence Thomas and his asshole colleagues is utterly, monstrously, categorically evil.  There are those who agree with my conclusion but feel it is counterproductive to resort to name-calling and invective.  I’m not involved in U.S. politics so I feel free to say what I think about Clarence Fucking Thomas.  He should be impeached.  And all of the Republican Senators who voted to confirm him should resign their seats in craven remorse because they all declare loudly and vociferously how much they love freedom and liberty and justice for all.