Buffy’s Identity Problem

It’s one thing to deny what now seems obvious. But to attack the journalists who exposed the truth about your ethnic identity as neo-colonialists and racist and sexist is beyond the pale. And given what Sainte-Marie has said previously about her ancestry, she cannot now claim, with sincerity, that she just “didn’t know”. She actively lied, and made up new lies to misdirect people from the old lies. Now she says, well, “I know who I am”, which is a nice way of refusing to take responsibility.

I have a mental hobby of pretending I’m the PR guy for whoever is embroiled in the latest scandal and have to come up with the best solution. In this case, I think she would have been better served with a line of “I admired indigenous culture so much that I wanted to be part of it, and I went too far, and did lie, and I am very sorry. And yes, it was terribly unfair to those of legitimate indigenous ancestry and if I haven’t already done enough to make up for it, I now wish to try.”

Instead, the stubborn denials and self-pity and claims of victimization leave a bad taste in the mouth.

She also claims to have been black-listed by the U.S. government, presidents Johnson and Nixon, and the FBI.  I can’t find any evidence of this other than her own assertion:

The former FBI director blacklisted Sainte-Marie as her protest songs gained more and more popularity. She didn’t know that it had happened for about 20 years until a deejay “told me that he had letters on White House stationery commending him for having suppressed my music.”  Toronto Star

What deejay?  From who in the White House?  Did she try to obtain the related documents through a Freedom of Information request?

It’s all beginning to sound a little pathetic.  And if it wasn’t pathetic enough, she now tosses out claims that she was sexually abused by her brother and someone else she won’t identify.  The brother is deceased– of course (like Joan Baez’  father)– but his daughter (Sainte-Marie’s niece) revealed letters that strongly suggest that Buffy Sainte-Marie threatened to publicly claim he sexually abused her to deter him from continuing to publicly challenge her claims of being born to an indigenous tribe in Saskatchewan when (as is now overwhelmingly clear) she was actually born to a white Christian family in Massachusetts.   He backed off.

She should want to be remembered instead for these lines:

Now that your big eyes are finally open
Now that you’re wondering, how must they feel?
Meaning them that you chased ‘cross America’s movie screens.

They are very good.  It’s a powerful song.  We can have both.  We can acknowledge her accomplishments and the weaknesses of character and dishonesty and leave it at that.

 

Canadian Songwriter Hall of Fame

I didn’t know this until recently, but there is a Canadian Songwriter’s Hall of Fame. It’s purpose is “to honour, celebrate, and educate Canadians about the outstanding accomplishments of Canadian popular music songwriters and those who have contributed significantly to their legacy.”

I’m not sure what the distinction is between “outstanding accomplishments” and those who made contributions to “their legacy”. How could you make a contribution to a “legacy” unless you were a great songwriter who would be worthy, therefore, of inclusion, for your “outstanding accomplishments”? More words=more important. More better.

Unless… don’t tell me they are going to honor promoters and agents and producers? Oh no… they probably are. That would be more than a shame: it would be ridiculous. There is already a music hall of fame for the hucksters and the promoters: leave the songwriters alone.

But then…

This year’s entries: “Sugar Sugar”, recorded by the Archies in 1969, and “Far Away Places” (recorded by the immortal Ray Conniff and his orchestra), and “Clap Your Hands”– all “outstanding accomplishments”?

Yes, these stunning lyrics are now immortalized in the Canadian Songwriter’s Hall of Fame:

Sugar Sugar
Honey Honey
You are my candy girl
And you got me wanting you.

I’m not making those words up. “You got me wanting you”. The raw authenticity of that unrestrained emotion must have impressed the judges or Board of Directors or whoever it is gets to stand in front of a group of solemn reporters and music executives and explain why “Sugar Sugar” deserves to be immortalized in this awesome way. My question is this: how did they manage to get into the Hall of Fame ahead of Gino Vanelli and Corey Hart?

Burton Cummings and Randy Bachman are in. So is Gordon Lightfoot, and Leonard Cohen. Does that mean all of their songs are in? I see “Sugar Sugar” listed but not “Suzanne”. “Four Strong Winds” and “Universal Soldier” but not “You Were on My Mind” or Buffy Sainte Marie. No Poppy Family yet even though Susan Jacks had the loveliest midriff of any singer-songwriter blonde singer chick ever, of that era.

Okay, so there is a list of the songs which, I presume, earned the song-writer entry into these hallowed corridors.

And now— Paul Anka. I think it is fair to say that the Canadian Songwriter Hall of Fame and Paul Anka were made for each other.

And I would like to start a movement. I would like to organize a petition drive to keep Neil Young out of the Canadian Songwriter’s Hall of Fame.

Furthermore, I think we need to form a musical commando squad to parachute into the Canadian Songwriter’s Hall of Fame and excise Leonard Cohen and Gordon Lightfoot before they find out that someone has decided that their life’s work is at least as good as “What a Friend we Have in Jesus” and “Aint Nobody Here but Us Chickens”.