The Pointless Irrelevant Useless Mind-Numbing Grammys

If they really feel auto-tuned vocalists deserve Grammys, by all means, let’s have a category for that. And lets have a “Truth in Packaging” note at the bottom of the screen when they use it live, as many now do, or at least when they lip-synch to an auto-tuned vocal (so they are actually faking it twice). I might actually tune in to watch if they have a category of “honest to god actual singing” awards, especially if they actually have real musicians playing the instruments on the recording. Until then, every Grammy Awards show should open with Simon & Garfunkel’s “Fakin’ It”.

Won’t someone please create an award restricted to non-auto-tuned performances?  And let me answer my own question: all of the major media companies benefit from the auto-tune scam.  They all sell the same types of artists, the same types of product, the same shit.

There is one possibility: a website devoted to non-auto-tuned artists accompanied by real honest-to-god musicians playing real honest-to-god instruments.   No synthesizers, sequencers, drum machines, and so on allowed.  I would start it myself if I didn’t have more than enough other activities to keep me busy.  They could have articles and links and they should create an annual award for  honest artists in several categories not including rap or hip hop whatever flavor of the decade rears it’s ugly head.

I would suggest these categories:

  • Folk
  • Rock
  • Pop (for the inevitable dreck)
  • Classical
  • Soul
  • Gospel

And no fucking other categories.  Not one, not ever.  Each category would have two sub-categories, for performance and composition.

I suspect that a website like that could develop an impressive following, though it would probably never hit mainstream acceptance.  Vinyl is doing pretty well lately, but it’s no threat to Spotify.

Incidentally, “Grammys” is correct; not ‘Grammies’.

 

The 2010 Grammys

I watched the Grammy Awards for a while. It was striking how much of the presentation consisted of spectacular lights and explosions and special effects. This is an acknowledgement of what the music industry really is about– making everything bigger and louder– rather than any kind of nod to actual musical qualities. If you want to impress the audience even more than the previous performer, God forbid you would do something more artistic. Hell no– just turn up the volume, get bigger amps, bigger lasers, bigger breasts, use a trapeze, strip.

The problem, of course, is diminishing returns. Like the previews at the Cineplex– eventually the amp is at 10 and then what do you do to impress? Tell a story? Develop a character? Couldn’t we just go to 11?

In the middle of all this— an award for Leonard Cohen– “lifetime achievement”. They couldn’t even spare a moment to actually perform one of the legend’s songs. Besides– how do you do a laser show to:

Suzanne takes you down
to her place near the river
you can hear the boats go by
you can spend the night beside her

At what point in the song do you set up the fireworks?

Well… you could. Why not?


Who was lip-synching? And does anyone care? Apparently Pink was not, even while drenched, hanging upside down from her silks. Beyonce looked to me like she synched. It’s pretty safe to assume that most pop/rock artists do. But I wish they would tell you before and during the performance. If you’re not ashamed of it, why hide it?

The Who did not appear to lip-synch their Superbowl appearance. They sounded awful all by their lonesome selves. Did Pete Townsend, 40 years ago, ever dream he would be doing a medley of his hits in front of 100 million people? A medley! I’m guessing that this appearance isn’t going to do much for their careers.

No longer hoping to die before he gets old.