Bill’s Top 50 Canadian Singles of All Time

Bill’s Personal Choices: Canada’s top 50 singles.

On the CBC’s list:

There are some great songs on the list, but “Four Strong Winds” as number 1??!! “Snowbird”, that bland, vacuous, treacly, schmaltz at #19? “Life is a Highway”? Tell me, do you think anyone else ever thought of the highway as a metaphor for life? Or flogged “all night long” as a chorus? “Summer of ’69”? An embarrassing rehash of Bob Seger’s most obvious lyrics.

There was an obvious, alarming tendency to prostrate us all before the gods of international popular acceptance. So Sarah McLachlan had to be on the list, even though it’s hard to think of a single song by her that was so outstanding that it deserved to finish ahead of, say, “Lovers in a Dangerous Time” written by Bruce Cockburn and performed by the Bare Naked Ladies. Or even fluff like Joni Mitchell’s “Big Yellow Taxi”, which I can’t believe even she herself took seriously…. (“Court and Spark” would have been a far more interesting choice.) And where, in heaven’s name, are the Northern Pikes and Crash Test Dummies? Oh– I get it. Didn’t have any U.S. hits.

If you think “Canadian Railroad Trilogy” is so great (#6), tell me, when was the last time you actually listened to it?

And all those factories and businesses that the railroad brought to Canada– “for the good of us all”?

It could have been worse. Celine Dionne and Walter Ostenak did not make the list, though Paul Anka did.

My number one is Neil Young’s “Helpless”, because it captures that resigned Canadian acceptance of over-arching doom, and its shadings of hopes and dreams– so Un-American in it’s denial of personal control. And it has one of the greatest lines ever, in Canadian music: “In my mind, I still need a place to go; all my changes were there”.

“If I had a Million Dollars”– is it a novelty tune like “Hockey Song”? Maybe. But it’s also wittier and funnier and quintessentially Canadian– who else would buy Kraft Dinner with their million dollars?

Bill’s Highly Disputable List of Top Canadian Popular Songs.   Not quite 50 yet…

No, “Snowbird” does not make the list.

Rank Song Artist
1 Suzanne [1966] Leonard Cohen
1.1 Helpless Neil Young
2 Famous Blue Raincoat Leonard Cohen
4 Early Morning Rain Gordon Lightfoot
4.1 That’s What you Get for Lovin’ Me Gordon Lightfoot.
5 Cowgirl in the Sand Neil Young
6 Echo Beach Martha & the Muffins
7 Lovers in a Dangerous Time Bruce Cockburn.
8 Venice is Sinking Spirit of the West
9 Old Man Neil Young
9.5 The Weight the Band
10 Both Sides Now Joni Mitchell
11 Heart of Gold Neil Young
12 Barrett’s Privateers Stan Rogers
12.5 Superman’s Song Crash Test Dummies
12.75 Dream Away Northern Pikes
13 Court and Spark Joni Mitchell
14 Tears of Rage the Band
14.1 Where Evil Grows Poppy Family
14.2 American Woman The Guess Who
15 You Were on my Mind Ian & Sylvia
15.5 Mmm Mmm Mmm Mmm Crash Test Dummies
16 Montreal Blue Rodeo
17 Stage Fright The Band
19 Born to be Wild Steppenwolf
20 First We Take Manhattan Leonard Cohen
21 Down by the River Neil Young
22 Hallelujah Leonard Cohen
23 Wake Up Arcade Fire
24 Scared Tragically Hip
25 Old Man Neil Young
26 Hey Hey, My My Neil Young
27 Home for a Rest Spirit of the West
28 Carrie Joni Mitchell
29 If I Had a Million Dollars Bare Naked Ladies
30 What a Good Boy Bare Naked Ladies
31 Tokyo Bruce Cockburn
32 Universal Soldier Buffy Ste. Marie
33 Tell Me Why Neil Young
34 Raised on Robbery Joni Mitchell
35 1234 Leslie Feist
36 Take This Longing Leonard Cohen
37 Which Way You Goin’ Billy Poppy Family
40 Sh-Boom [1955] the Crew Cuts
41 Superman’s Song Crash Test Dummies
42 Woodstock Joni Mitchell
43 So Long Marianne Leonard Cohen
44 For Free Joni Mitchell
45 A Man Needs a Maid Neil Young
46 Heart Like a Wheel Kate and Anna McGarrigle
47 Complainte Pour Ste-Catherine McGarrigle Sisters
48 Black Day in July Gordon Lightfoot
49 Come Calling Cowboy Junkies
50 Come all Ye Fair and Precious Ladies Rankin Family

Absolutely positively never ever going to make my list: K. D. Lang’s awful, overwrought delivery of Leonard Cohen’s “Hallelujah”, the pinnacle of self-serving, claustrophobic, look-at-me-sing-oh-god-I’m-so-humble-I-can’t- believe-it-narcissism.  Her rendition robs the lyrics of every ounce of meaning and context and it’s a performance calibrated for people with a shallow understanding of “she tied you to her kitchen chair/she broke your throne and she cut your hair”, a vague sense of titillation, and a conviction that the louder, more ostentatious voice, the deeper the meaning.

And that goes double for Rufus Wainwright’s whiney, weaselly cover.  And shame on “Shrek” for trivializing the whole thing by putting into a cartoon about a troll that farts.

Check John Cale’s version for a corrective.

 

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